The Claude Lorraine glass

dc.contributor.authorBradlow, Frank R.
dc.date.accessioned2011-05-30T12:25:44Z
dc.date.available2011-05-30T12:25:44Z
dc.date.created2011-05
dc.date.issued1992-11
dc.descriptionArticle digitised using: Suprascan 1000 RGB scanner, scanned at 400 dpi; 24-bit colour; 100% Image derivating - Software used: Adobe Photoshop CS3 - Image levels, crop, deskew Abbyy Fine Reader No.9 - Image manipulation + OCR Adobe Acrobat 9 (PDF)en_US
dc.description.abstractThis paper examines the use of the optical device known as the "Claude Lorraine Glass" and its use by landscape artists in order to convey a relatively wide-angled view on to a small scale surface, and to thus allow the various tones to acquire unity, without totally suppressing all the detail.en_US
dc.description.abstractIn hierdie artikel word ondersoek ingestel na die gebruik van die optiese apparaat bekend as die "Claude Lorraine-spieel", en die gebruik daarvan deur landskapskilders om betreklik wye uitsigte op 'n klein oppervlak weer te gee, sodat die verskillende tone 'n eenheid aanneem sonder om al die detail te laat vervaag.af
dc.format.extent6 pagesen_US
dc.format.mediumPDFen_US
dc.identifier.citationBradlow, FR 1992, 'The Claude Lorraine Glass', South African Journal of Art History, vol. 10, pp. 62-67.en_US
dc.identifier.issn0258-3542
dc.identifier.urihttp://hdl.handle.net/2263/16665
dc.language.isoenen_US
dc.publisherArt Historical Work Group of South Africaen_US
dc.rightsArt Historical Work Group of South Africaen_US
dc.subjectArt historyen_US
dc.subjectLandscape paintersen_US
dc.subjectOptical apparatusesen_US
dc.subjectClaude Lorraine Glassesen_US
dc.subjectLandscape artistsen_US
dc.subjectClaude glassesen_US
dc.subjectBlack mirrorsen_US
dc.subject.lcshArt -- Historyen
dc.subject.lcshLandscape paintingen
dc.subject.lcshClaude glassesen
dc.titleThe Claude Lorraine glassen_US
dc.typeArticleen_US

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