Crucifixion

dc.contributor.authorCelliers-Barnard, Bettie
dc.date.accessioned2016-07-06T13:04:05Z
dc.date.available2016-07-06T13:04:05Z
dc.date.created1968
dc.date.issued2010
dc.descriptionThe human figure in both figurative and symbolic form begins to reappear more conspicuously in Bettie’s work of the late sixties. In works like this crucifixion the form of the cross in itself suggests the human figure. In many of the works of this period the artist announces the reinstatement of the human figure in the conical forms and in the titles.en_ZA
dc.format.extent1200mm x 900mmen_ZA
dc.format.mediumOil on canvasen_ZA
dc.identifier.urihttp://hdl.handle.net/2263/53892
dc.publisherDepartment of UP Artsen_ZA
dc.relation.ispartofseriesUP-Art: paintings, drawings and sculptures, Bettie Celliers-Barnard Collectionen_ZA
dc.rightsCopyright of the electronic version, University of Pretoria.en_ZA
dc.subjectCrucifixionen_ZA
dc.subjectFigurativeen_ZA
dc.subjectSymbolicen_ZA
dc.subject.lcshPainting -- South Africa
dc.subject.lcshArts, Modern -- 20th century
dc.titleCrucifixionen_ZA
dc.title.alternativeKruisigingen_ZA
dc.typeImageen_ZA

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