Psychological and visionary modes of creativity : a jungian analysis of westworld towards a potential design pedagogy

dc.contributor.advisorReyburn, Duncan
dc.contributor.emailu13386230@tuks.co.zaen_ZA
dc.contributor.postgraduateDe Villiers, Courtney Jade
dc.date.accessioned2024-04-19T07:56:22Z
dc.date.available2024-04-19T07:56:22Z
dc.date.created2020
dc.date.issued2019-08
dc.descriptionDissertation (MA (Information Design))--University of Pretoria, 2019.en_ZA
dc.description.abstractThis study explores the potential pedagogical value Jungian strategies may bring to creativity studies and design education. The study is largely interdisciplinary insofar as it draws from several disciplines including information design, visual studies, analytical psychology and education. Carl Jung’s psychology of art puts forward two modes of creative expression namely: the Psychological and the Visionary. The aim of the study is to establish a distinction between these two creative modes in their use of and approach to images, as well as analyse the interplay between these modes during the creative process, suggesting that engagement with both creative modes may lead to the creation and consumption of images that are inherently more meaningful. Westworld (2016) is selected as a creative text to analyse within Jung’s dialectical framework of Psychological and Visionary creativity. This text affords two layers of analysis which support the overarching aims of the study. Firstly, it allows for exploration of the mechanisms used for and toward creative development in the show which can be understood as a creative production in and of itself. This mirrors a possible approach for students working towards the production of creative outputs. Secondly, it serves as an analogical analysis of indicators of Visionary and Psychological creativity demonstrating the potential of Jungian thinking for approaching real-world creative pedagogy. This mirrors a possible approach for art and design educators assessing, facilitating and developing briefs for creative productions. Jungian developmental theory is synthesised with Piagetian constructivist learning theories and scaffolded upon real-world examples of existing design programmes that already employ these strategies. This ultimately aims at providing educators with possible analogical insights and strategies, and students with conceptual tools towards supporting creative transformation and deeper engagement with the meaningmaking process within design education.en_ZA
dc.description.availabilityUnrestricteden_ZA
dc.description.degreeMA (Information Design)en_ZA
dc.description.departmentDramaen_ZA
dc.identifier.citation*en_ZA
dc.identifier.otherS2021en_ZA
dc.identifier.urihttp://hdl.handle.net/2263/95672
dc.language.isoenen_ZA
dc.publisherUniversity of Pretoria
dc.rights© 2021 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria.
dc.subjectUCTDen_ZA
dc.subjectCreativityen_ZA
dc.subjectJung, Imagesen_ZA
dc.subjectMeaning-Makingen_ZA
dc.subjectImage-Makingen_ZA
dc.subjectArt and Designen_ZA
dc.subjectArchetypesen_ZA
dc.titlePsychological and visionary modes of creativity : a jungian analysis of westworld towards a potential design pedagogyen_ZA
dc.typeDissertationen_ZA

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