The use of vibrato as a diagnostic tool in the pedagogy of singing in the Western classical tradition

dc.contributor.advisorStapela, Hanli
dc.contributor.emailferreiraj@stdavids.co.zaen_US
dc.contributor.postgraduateFerreira, Andries Jacobus
dc.date.accessioned2025-02-07T11:11:09Z
dc.date.available2025-02-07T11:11:09Z
dc.date.created2025-04
dc.date.issued2024-10
dc.descriptionDissertation (MMus (Musicology))--University of Pretoria, 2024.en_US
dc.description.abstractVocal vibrato is a feature of singing highly associated with the Western Classical tradition. The researcher assumes the position that vibrato is a discernible acoustic outcome of singing habits and is therefore a useful diagnostic tool that can support the process of identifying the aspects of singing that require attention and determining a set of pedagogical interventions. Research on the topic of vocal vibrato is multi-disciplinary in nature with much of it being pursued outside of the domain of singing pedagogy. Information is therefore often difficult to decipher given the use of methodologies and terminology not immediately associated with the discipline of music education. This represents a barrier that makes it difficult for singing teachers to assimilate the extant knowledge of vocal vibrato so that it may inform teaching strategies. As such, an integrative literature review of peer-reviewed research across multiple disciplines between 2014 and 2022 was conducted in order to take stock of the extant knowledge of vocal vibrato and to present it in a way that is user-friendly for singing teachers. Two major trends in the literature relate to the two most significant parameters of vibrato, namely vibrato rate (VR) and vibrato extent (VE). The research demonstrates that VR plays a significant role in the perception of tone colour, is subject to neurological arousal and can potentially be regulated by the use of imagery-related exercises and the selection of performance pieces with varying degrees of emotional content. VE exhibits high degrees of variability, is utilised as a device with which to vary tonal qualities in the differentiation between genres such as Western classical art songs and opera and vocal modes such as solo and group singing. It is highly susceptible to neurological mechanisms associated with auditory-motor control. The ability to utilise VE explicitly may be inculcated through exercises that promote sensory acuity and greater agility in the coordination between the respiratory and phonatory muscles.en_US
dc.description.availabilityUnrestricteden_US
dc.description.degreeMMus (Musicology)en_US
dc.description.departmentMusicen_US
dc.description.facultyFaculty of Humanitiesen_US
dc.description.sdgSDG-04: Quality Educationen_US
dc.identifier.citation*en_US
dc.identifier.doihttps://doi.org/10.25403/UPresearchdata.28367975en_US
dc.identifier.otherA2025en_US
dc.identifier.urihttp://hdl.handle.net/2263/100624
dc.language.isoenen_US
dc.publisherUniversity of Pretoria
dc.rights© 2023 University of Pretoria. All rights reserved. The copyright in this work vests in the University of Pretoria. No part of this work may be reproduced or transmitted in any form or by any means, without the prior written permission of the University of Pretoria.
dc.subjectUCTDen_US
dc.subjectSustainable Development Goals (SDGs)en_US
dc.subjectVocal vibratoen_US
dc.subjectVoice pedagogyen_US
dc.subjectWestern classical musicen_US
dc.subjectIntegrative literature reviewen_US
dc.titleThe use of vibrato as a diagnostic tool in the pedagogy of singing in the Western classical traditionen_US
dc.typeDissertationen_US

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