Mite as metafoor vir kreatiwiteit in Picasso se "Blinde Minotaurus gelei deur 'n meisie met 'n wilde bos blomme" (1934) ("Vollard-suite")
Loading...
Date
Authors
Theron, Antoinette L.
Journal Title
Journal ISSN
Volume Title
Publisher
Art Historical Work Group of South Africa
Abstract
Die simboliese betekenis van Picasso se uitbeelding van mitologiese figure as verwysing na Dionysiese kreatiwiteit word ondersoek. Dit word in die gebruik van mite in surrealitiese kuns gekontekstualiseer. Ten slotte word afleidings oor Picasso se siening van die kreatiwiteit van die kunstenaar gemaak.
The symbolic meaning of Picasso's portrayal of mythological figures as references to Dionysian creativity is investigated. It is contextualized in the use of myth in surrealist art. Finally conclusions on Picasso's view of the artist's creativity are made.
The symbolic meaning of Picasso's portrayal of mythological figures as references to Dionysian creativity is investigated. It is contextualized in the use of myth in surrealist art. Finally conclusions on Picasso's view of the artist's creativity are made.
Description
Article digitised using: Suprascan 1000 RGB scanner, scanned at 400 dpi; 24-bit colour; 100% Image derivating - Software used:
Adobe Photoshop CS3 - Image levels, crop, deskew Abbyy Fine Reader No.9 - Image manipulation + OCR Adobe Acrobat 9 (PDF)
Keywords
Picasso, Pablo Ruiz, 1881-1973, Dionysian creativity, Myth, Surrealism, Mite, Surrealisme, Symbolism, Simbolisme, Painting, Skilderkuns, Mythological figures, Mitologiese figure, Dionisiese kreatiwiteit, Dionysiese kreatiwiteit, Picasso, Pablo Diego José Francisco de Paula Juan Nepomuceno María de los Remedios Cipriano de la Santísima Trinidad Ruiz y
Sustainable Development Goals
Citation
Theron, AL 1993, 'Mite as metafoor vir kreatiwiteit in Picasso se "Blinde Minotaurus gelei deur 'n meisie met 'n wilde bos blomme" (1934) (Vollard-suite)', South African Journal of Art History, vol. 11, pp. 33-42.