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| dc.contributor.author | Celliers-Barnard, Bettie
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| dc.date.accessioned | 2016-07-06T12:30:23Z | |
| dc.date.available | 2016-07-06T12:30:23Z | |
| dc.date.created | 1959 | |
| dc.date.issued | 2010 | |
| dc.description | After Bettie’s visit to Paris in 1956 she was greatly influenced by the non-figurative work of the avant-garde artists. In works such as this abstract composition we see Bettie’s striving for purity of form and colour, with emphasis on the schematic and cerebral. Here she finds expression in a world of autonomous forms and shapes. | en_ZA |
| dc.format.extent | 600mm x 750mm | en_ZA |
| dc.format.medium | Oil on canvas | en_ZA |
| dc.identifier.uri | http://hdl.handle.net/2263/53834 | |
| dc.publisher | Department of UP Arts | en_ZA |
| dc.relation.ispartofseries | UP-Art: paintings, drawings and sculptures, Bettie Celliers-Barnard Collection | en_ZA |
| dc.rights | Copyright of the electronic version, University of Pretoria. | en_ZA |
| dc.subject | Non-figurative | en_ZA |
| dc.subject | Shapes | en_ZA |
| dc.subject | Abstract | en_ZA |
| dc.subject.lcsh | Painting -- South Africa | |
| dc.subject.lcsh | Arts, Modern -- 20th century | |
| dc.title | Abstract composition | en_ZA |
| dc.title.alternative | Abstrakte komposisie | en_ZA |
| dc.type | Image | en_ZA |
