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Browsing Drama by Type "Thesis"
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Pretorius, Hermanus
(University of Pretoria, 1994)
When the National Party came into power in 1948, Apartheid began to influence
all facets of South African life, also that of the theatre. This study documents
Apartheid legislation and the resistance against it, then ...
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Bester, Lelia
(University of Pretoria, 2019)
The lack of standardised and structured training, underscored by an academic discourse on film acting, necessitates the designing of a training programme that critically engages with this notion. This study aims to contribute ...
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Haskins, Nicola
(University of Pretoria, 2022)
The study is situated in the field of choreographic composition within the context of higher education in South Africa. It aims to design and qualitatively reflect on the perceived efficacy of decolonial teaching and ...
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Zeeman, Estelle
(University of Pretoria, 2006-12-15)
The purpose of this thesis is to substantiate the hypothetical development of a community radio station for a South African National Park, such as the Kruger National Park and to design the programming. As such the thesis ...
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McCaul-Dommisse, Hermien
(University of Pretoria, 2010-04-14)
AFRIKAANS: Die ondersoek na die dramaturg en sy gemeenskap gaan uit van die veronderstelling dat die toneel nie net ‘n verbygaande vermaaklikheidsvorm is nie maar ‘n noodsaaklike en sinvolle uitingsvorm van die gemeenskapslewe ...
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Van den Berg, Celia
(University of Pretoria, 2013)
Adolescence is a turbulent time and a critical transformational phase during which
major physical, emotional, cognitive and social shifts occur. The objective of this
study is to explore ways in which female adolescents ...
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Haarhoff, Emil Ernst
(University of Pretoria, 2020-11-01)
When a script stipulates actions, gestural routines and mental models for a character that
clash with the personal values of the actor, it creates dissonance between what the actor (as
person) believes, represents or ...
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Zanjam, Ngefor Shella
(University of Pretoria, 2021-12)
This thesis explores the dynamics involved in the transitions between an oral and orally-based storytelling mode of narration, and the performance-based presentation of that story, as encountered in the storytelling processes ...
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Prinsloo, Tarryn-Tanille
(University of Pretoria, 2018)
Screendance as an interdisciplinary practice influenced by the histories of cinema and dance, necessitates a vocabulary aimed specifically at perceiving it as an autonomous art form. This study is a qualitative, practice-based ...
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Thom, Bianka
(University of Pretoria, 2024-07-26)
This study aims to understand how issues of South African land ownership can be depicted in animation.
A Screenwriting as Creative Practice Research methodology is used to investigate how Conceptual Metaphor Theory can ...
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Lemmer, Karina
(University of Pretoria, 2018)
This study considers the L2 actor’s engagement with L2 text, within a multilingual South African actor-training context, and includes an authoethographic element as I draw from my lived experience as lecturer-director at ...
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Faber, Stephen
(University of Pretoria, 2019)
The purpose of this study is to develop, present and assess a skillsdevelopment
module in pre-recorded digital performing arts (PRDPA) that may
enable performing artists to become practitioners of pre-recorded digital
performing ...