The concepts of art in Aristotle's "Nicomachean ethics" : from "mimesis" to communication

dc.contributor.authorProimos, Constantinos V.
dc.date.accessioned2010-11-25T06:14:11Z
dc.date.available2010-11-25T06:14:11Z
dc.date.created2010-11
dc.date.issued2001
dc.descriptionArticle digitised using: Suprascan 1000 RGB scanner, scanned at 400 dpi; 24-bit colour; 100% Image derivating - Software used: Adobe Photoshop CS3 - Image levels, crop, deskew Abbyy Fine Reader No.9 - Image manipulation + OCR Adobe Acrobat 9 (PDF)en_US
dc.description.abstractIn his Friedrich Nietzsche lectures, Martin Heidegger's attempt to define art with terms such as technical knowledge, care, carefulness of concern, poetry, seems to be directly inspired by Aristotle's "Nicomachean ethics". Apparently Heidegger's desire was to reconsider art after modernism and think of it in a new and non fundamentalist way which was all too common in aesthetics until his time. First, I follow, analyse and extend Heidegger's original gesture of going back to Aristotle in order to solve the extremely modern problems of art in his time. Then, I assemble the different concepts of art in Aristotle's "Nicomachean ethics" and the different tasks these concepts perform in the contexts in which they appear and question the prevalence of mimesis in understanding art. Finally, my aim is to propose an alternative to [the] mimesis concept of art as a communicative practice in which terms such as influence, experience and communication play a strategic role, in order to bring to the fore neglected issues in the Aristotelean text like artistic truth, prudence and wisdom.en_US
dc.description.urihttp://explore.up.ac.za/record=b1719138en_US
dc.format.extent7 pagesen_US
dc.format.mediumPdfen_US
dc.identifier.citationProimos, CV 2001, 'The concepts of art in Aristotle's "Nicomachean ethics": from "mimesis" to communication.' South African Journal of Art History, vol. 16, pp. 89-95.en_US
dc.identifier.issn0258-3542
dc.identifier.urihttp://hdl.handle.net/2263/15353
dc.language.isoenen_US
dc.publisherArt Historical Work Group of South Africaen_US
dc.rightsArt Historical Work Group of South Africaen_US
dc.subjectArt -- Aestheticsen_US
dc.subjectArt -- Criticismen_US
dc.subjectPhilosophy -- Ethics & Moral Philosophyen_US
dc.subjectPhilosophy -- Aestheticsen_US
dc.subjectAristotle, 384 B.C.–322 B.C.en_US
dc.subjectHeidegger, Martin, 1889-1976en_US
dc.subjectNietzsche, Friedrich Wilhelm, 1844-1900en_US
dc.subject.lcshArt -- Historyen
dc.subject.lcshArt -- Philosophyen
dc.subject.lcshMimesis in arten
dc.subject.lcshImitation in arten
dc.subject.lcshArt criticismen
dc.subject.lcshAristotle, 384 B.C.-322 B.C. -- Criticism and interpretationen
dc.titleThe concepts of art in Aristotle's "Nicomachean ethics" : from "mimesis" to communicationen_US
dc.typeArticleen_US

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