Invisible cities and primed spectators
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Date
Authors
Van den Berg, Dirk Johannes
Journal Title
Journal ISSN
Volume Title
Publisher
Art Historical Work Group of South Africa
Abstract
This essay discusses the extraordinary travelling exhibition mounted by Alan Alborough as Standard Bank Young Artist of 2000. Reviewing its interaction with the art world's museum and art systems, an attempt is also made to interpret Alborough's work in terms of a scenic worldview framework.
Hierdie essay bespreek die buite[n]gewone reistentoonstelling aangebied deur Allen [Alan] Alborough, die Standard Bank Jong Kunstenaar van 2000. Die interaksie daarvan met die museum- en kunssisteme van die kunswêreld word bespreek. 'n Poging word ook aangewend om Alborough se werk in terme van 'n sceniese wêreldbeskoulike raamwerk te interpreteer.
Hierdie essay bespreek die buite[n]gewone reistentoonstelling aangebied deur Allen [Alan] Alborough, die Standard Bank Jong Kunstenaar van 2000. Die interaksie daarvan met die museum- en kunssisteme van die kunswêreld word bespreek. 'n Poging word ook aangewend om Alborough se werk in terme van 'n sceniese wêreldbeskoulike raamwerk te interpreteer.
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Keywords
Installation art -- South Africa, Art, South African -- Exhibitions, Art, South African -- 21st century, Art -- Awards -- South Africa, Art -- Individual Artists, Alborough, Alan, 1964-
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Citation
Van den Berg, DJ 2001, 'Invisible cities and primed spectators.' South African Journal of Art History, vol. 16, pp. 132-138.