The post-heroism of Stuur groete aan Mannetjies Roux and Verraaiers

dc.contributor.authorBritz, Danielle
dc.contributor.authorBroodryk, Chris Willem
dc.date.accessioned2024-01-10T11:08:13Z
dc.date.available2024-01-10T11:08:13Z
dc.date.issued2023-05-08
dc.description.abstractThere is much scholarship on the linkages between Afrikaner nationalism and South African (Afrikaans-language) filmmaking. Within the context of a sustained post-apartheid renegotiation of Afrikaans or Afrikaner nationalism in the popular imagination, in this article we argue that two feature film historical dramas from the production company Bosbok Ses Films, Stuur groete aan Mannetjies Roux (2013) and Verraaiers (2013), resonate thematically and aesthetically with Thomas Elsaesser’s notion of post-heroic cinema. While a number of pre-1994 Afrikaans-language films celebrated Afrikaner nationalism as personified in the figure of the hero, this article positions and uses Elsaesser’s post-heroism as a critical lens through which to demonstrate the ways in which these two films call attention to a post-hero whose actions and behaviour (often inadvertently) renders a productive renegotiating of the hero figure within a post-apartheid cinematic context. To supplement Elsaesser, we also draw on Johan Degenaar’s writing on political pluralism. In this article, we find that an Elsaesserian post-heroic approach to the two films allows the following constitutive components of post-heroic cinema to surface: atemporality as opposed to linear narrative time, parapraxis (productive failure) as opposed to traditional iterations of heroic acts and valour, and conceiving of the film screen as a surface in flux as opposed to the screen as a mirror. The article’s contribution to existing scholarship on contemporary Afrikaans-language cinema is three-fold: it is the first to utilise an Elsaesserian approach to Afrikaans film and as such to foreground and investigate the figure of the post-hero, it provides a critical account of two independently-made feature films that remain underresearched in current South African film scholarship, and it contributes to discourse around the ways in which popular media inform and respond to the renegotiation of Afrikaans (or Afrikaans) identity.en_US
dc.description.departmentDramaen_US
dc.description.librarianam2023en_US
dc.description.sdgNoneen_US
dc.description.urihttps://journals.co.za/journal/tydleten_US
dc.identifier.citationBritz, D. & Broodryk, C. 2023, 'The post-heroism of Stuur groete aan Mannetjies Roux and Verraaiers', Tydskrif vir Letterkunde, vol. 60, no. 1, pp. 31-41. https://DOI.org/10.17159/tl.v60i1.15059en_US
dc.identifier.issn0041-476X (print)
dc.identifier.issn2309-9070 (online)
dc.identifier.other10.17159/tl.v60i1.15059
dc.identifier.urihttp://hdl.handle.net/2263/93897
dc.language.isoenen_US
dc.publisherTydskrif vir Letterkunde Assosiasieen_US
dc.rights© 2023. Tydskrif vir Letterkunde. Published under a Creative Commons Attribution License.en_US
dc.subjectAfrikaner nationalismen_US
dc.subjectAtemporalityen_US
dc.subjectBosbok Ses Filmsen_US
dc.subjectParapraxisen_US
dc.subjectPost-heroismen_US
dc.subjectStuur groete aan Mannetjies Rouxen_US
dc.subjectVerraaiersen_US
dc.titleThe post-heroism of Stuur groete aan Mannetjies Roux and Verraaiersen_US
dc.typeArticleen_US

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